Posts Categorized: People

Crystal Creek Magic!

Crystal Creek Magic

A Minnesota couple launches a Citizen-Artist Residency program in their magical Houston, Minnesota, cabin in hopes of connecting artists and residents to create a better region…and world.

By Aryn Henning Nichols

Somewhere around its 100th birthday, Crystal Creek Canyon Lodge moved on up – up a bluff – to Oak Forest Lane just outside of Houston, Minnesota. There, a former owner reassembled the log cabin and built two thoughtful additions. Typical to a country cabin, there are gorgeous views for days, but untypical is that this log house also has four bedrooms, two bathrooms, a fairly open floor plan, and laundry on-site.

Erin Dorbin and Taylor Harris bought the 1890s home in the spring of 2016.

“I feel like ‘1890’ is what they say when they’re not sure exactly when a place was built,” Taylor says with a laugh, eight-month-old baby Maple in hand. “I know, right?” Erin agrees, laughing. “Sometime in the late 1800s, anyway, this cabin, we believe, was built in Viroqua, Wisconsin.”

Beautiful, old, salvaged doors and windows, exposed beams, and giant porches welcome visitors. Just “cabin-y” enough, the 100-year-old logs peek out from behind the breakfast nook and next to the ladders – yes, ladders – that lead upstairs and downstairs. A love note to the former owners’ kids is etched into the mortar that literally holds the house together.

Maple squeals as she plays with a tiny toy giraffe, and their sweet dog Georgia leans in for a pat as rain pitters outside and mist rises from the bluffs surrounding Crystal Creek below. It’s a little bit magic.

So it’s no surprise that finding the cabin was a like finding the proverbial pot of gold at the end of a rainbow. Erin was pregnant at the time, and the couple was looking for ways to facilitate careers in two locations. Erin worked in Rochester for Preservation Alliance of Minnesota, a non-profit dedicated to preserving historic buildings and places. Her outreach took her to counties across Southeast Minnesota. Taylor is an eighth-grade social studies teacher in Northeast Minneapolis.

They had planned to park their vintage Avion camper at Maple Springs Campground (which even inspired their baby name!) in Forestville, but the universe – aka their future cabin – stepped in.

“I found this place and was like, ‘Oooh my gosh!’ Erin says.

“I was mad,” Taylor says. “We weren’t planning to buy a house! But it was so amazing. We couldn’t pass it up.”

“Seriously! One early foggy morning I took the gorgeous and tightly winding Highway 76 to Caledonia on my way to work. I saw this fox and bird playing together on the side of the road, but they probably weren’t really playing together, they were probably fighting over roadkill,” Erin says with a grin, “But it sure looked like it. And I thought to myself, ‘This is it.’”

Erin grew up in Michigan, in a place rural enough to be 15 minutes from the nearest town. So Houston – population under 1000 – seemed just right.

“I feel very rooted here,” she says.

Taylor, on the other hand, hails from New York City, although he’s spent the last two decades in the Twin Cities. He feels very rooted there. So the two-home set-up made sense for the young parents, both in their mid-30s.

Things went smoothly with the closing on the cabin, and shortly after, Erin and Taylor listed it on Airbnb. They had bookings immediately.

“We had to turn people away, in fact,” Erin says. “People would come here to stay and be absolutely taken with the place. In Minnesota, everyone says, ‘Go North,’ but we say, ‘Go Southeast.’”

Inspired by a variety of organizations – such as the Wormfarm Institute’s Artist Residency program in Reedsburg, Wisconsin; a wild McKnight grant artist named Dan Senn who produced a sound and video installation in the 90s in the “Catacombs of Yucatan” (Houston, Minnesota); and by the region itself, it didn’t take long for Erin to hatch the idea for the Crystal Creek Citizen-Artist residency program.

“The phrase Citizen-Artist just came to me one day,” Erin says. “It just felt right. It described how I, and other creative professionals, were performing creative and professional community-connected work. It took off from there.”

“And I just follow along on the crazy schemes,” Taylor says, laughing. “I hold the baby.”

The plan is this: Erin and Taylor will host three (this year four) artists, individually, for week-long residencies during the months of July, August, and September 2017 (those months may vary in future years).

Each year, they will select one local or regional artist, and two from outside regions, meaning, beyond the Driftless Region. Artists’ work will be inspired by the Driftless, though, and will help the larger community of Southeast Minnesota re-imagine their locale right alongside the citizen-artists-in-residence.

The Citizen-Artist program goals are twofold:

  1. To introduce people to the Driftless Area of Southeast Minnesota
  2. To connect with and leverage Houston County’s natural, social, and cultural assets. A big proponent of the program was that the Citizen-Artists-in-Residence (CAIRs) didn’t need to have a “traditional” fine art background. Erin and Taylor welcomed writers, chefs, social scientists, historians, podcasters, dancers, musicians – you name it – to apply.

“We wanted to broaden the perception of what art means to people and institutions in Houston Co. Minnesota – it can be place-based; it can be interactive; it can influence civic matters,” Erin and Taylor say together, one idea on top of the other. “It’s not necessarily rural or urban, either; it’s art for everyone.”

The amazing luck that seemed to follow Crystal Creek Canyon Lodge continued through the CAIRs project – “Cabin Porn,” a popular cabin-living book and website, picked up Erin’s Citizen-Artist Facebook post and shared it. That post got an 18,000 reach. Their first application came from Montana.

So while Erin and Taylor can’t get a cell phone call out at Crystal Creek Canyon Lodge, they can get artists all the way from Victoria B.C. and New York.

“There were at least nine applicants that we really would have loved to have come, but we finally settled on four,” Erin says. “One residency is being shared by two CAIRs.”

The 2017 CAIRs are as follows:

  1. Harry Graff Kimball, a place-based songwriter from New York
  2. Melissa Wray and Todd Melby, from the Twin Cities as the regional representation and shared residency. Both artists host podcasts and are excited to interview the people of Houston County while exploring the tension between rural and urban life.
  3. Cimarron Corpé, a geographer and multimedia artist from Victoria, B.C.

“I wanted to find a way to expose people to this area, and know they’ll leave with a little piece of it in their hearts. The CAIRs won’t just be tourists, they’ll hopefully become part of the place; residents themselves, even if for a brief amount of time,” Erin says. “After they leave, they can connect their experiences here in Southeast Minnesota with their own larger communities and global networks.

Although funding wasn’t totally in place when Erin and Taylor jumped into the project, Houston Arts Resource Council (HARC) quickly came on board as an active partner.

“HARC is committed to creating vibrant communities in Southeast Minnesota through promoting arts and cultural programming. I would love it if new ideas were generated in Houston County that can help pave the path for the region as a whole,” Erin says.

Other area partners – local arts, history, and community organizations – are also working with Erin and Taylor to help realize their vision. To further facilitate community interaction, there will be workshops and meet-and-greet sessions in different locations – from coffee shops to visitors’ centers. Plus, next spring, a Citizen-Artist Showcase is planned to promote works created during the residency, and to hopefully inspire other rural arts activities in Houston County.

“I wanted to be a conduit for connecting all these things,” Erin says. “I’ve worked in economic development, planning, education, historic preservation, and – although I’m not totally comfortable saying this – I’ve worked as an artist too. So I’ve infused everything I’ve done with this creative vision.”

Her passion for the project and Houston County, as a whole, is evident.

“I really want to trigger our local assets,” Erin says. “Let people come here with fresh eyes and let the people of our community look at things with fresh eyes, and together find a way to make life here in the Driftless even better.”

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Aryn Henning Nichols was taken, herself, with the magic of Houston County and Crystal Creek Canyon Lodge. She thinks connecting people in the region and larger world to make life better is what we should all strive to do, everyday, and this project is a great step in that direction!

 

Inspire(d) caught up with each of the 2017 Citizen-Artists in Residence via email to ask a few questions about their upcoming trips to the area, and why they applied. For more details about the CAIRs project, check crystalcreekcitizenartist.com.

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Residency 1: July 16-22 – Harry Graff Kimball, from New York
Meet & Greet: July 18
Workshop: July 20

Harry Graff Kimball is a songwriter, producer, and builder-storyteller. A classical guitarist by early training and a member of the late ’90s, almost-almost-famous NYC indie group Ensimismada, Harry is also the bassist and co-founder of Los Chinches, the only group ever described as a “Pavement-meets-Dead Kennedys” revelation. He is “a halfway-decent carpenter, an inveterate tinkerer, and a budding amp maker. He writes speeches to pay the bills.”

On his art medium:

I write songs and play them. Some of the times I’m like a singer-songwriter, some of the times I’m in a rock band, and for this I’m trying to focus on people and place, so I’m calling the art product ‘place-based story-songs.’ But yeah, folk songs.

Why did you apply?

The thought certainly crossed my mind: “Why should I go to rural Minnesota for a week to write songs?” But seeing Erin and Taylor’s enthusiasm in the words they put down, and feeling the vibrancy and beauty of the region and the people that live there made it easy, even necessary. “Of course I should! There are a lot of songs there, and I bet people there are already writing them!”

How will you spend your week?

I think a lot of artists would love to be alone with their thoughts for a week with no interruptions or expectations – but this is different. It forces a duality: look inward and outward at the same time. I’m not the most outgoing person, so I’m basically going to force myself to be manically collaborative with whoever will talk to me or play music with me or share a song or a ride or a meal. That said, I would also like to write some music, so I will try to enjoy the peace of the place and engage with the writing process. I also want to go fishing. So I guess a third of the time getting to know people and hopefully making some music with them, a third of the time writing (or writing with other people!) and a third of the time just being in the region, in the woods, on the roads and gathering experience.

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Residency 2: Aug 12-18 – Melissa Wray/Todd Melby, Minneapolis
Meet & Greet: Aug 14
Workshop: Aug 16

Melissa Wray

Community and stories are at the heart of Melissa Wray’s creative work. Melissa co-founded Hazel & Wren in 2011, a community resource organization for writers. As a writer herself, she mostly writes poetry and creative nonfiction. She is the Marketing Coordinator at The Loft Literary Center in Minneapolis, where she produces The Loft Podcast.

On sending in that application:

When I heard about this residency, I immediately knew I had to apply. I grew up near Caledonia, Minnesota, on a sheep farm. My family still lives there, and it’s a place dear to me that I always consider home. However, I have made my adult home in Minneapolis since 2006. I’ve constantly felt this tug between my two ideas of home. One home is this rural environment that taught me so many things about community strength, the importance of the natural world, and my roots. The other home is the vibrant urban environment in which I’ve been able to build a sustainable career working in the nonprofit arts world, grow as an individual, and meet my now-husband.

This rural-urban divide is even more poignant now as our nation faces the reality of this same tension. I had already been developing ideas for creative projects that address this, and knew that this residency was the perfect place to start, back where it all started for me: home.

How do you plan to spend your week?

After applying, Erin reached out to me and another applicant, Todd Melby, about sharing a residency. Todd has done amazing work with radio journalism, and we’ll be working together to gather audio stories, asking Houston County residents to talk about sense of community and culture.

Todd Melby

Todd Melby is a reporter, interactive producer and filmmaker. He’s best known as lead producer of Black Gold Boom, a public media project documenting North Dakota’s oil boom – and bust. His radio stories have aired on MPR, Marketplace, and The World. He’s also a senior producer at 2 below zero, a public media nonprofit, and has created interactive and television documentaries, including one which recently aired on PBS stations. In 2013, he was awarded a McKnight Media Artist Fellowship. His newest project is the podcast The Drunk Projectionist.

On the agenda for Todd:

I plan to wander and talk to anyone who is willing to talk with me: teens playing basketball, guys smoking outside of bars, farmers sipping coffee at the local cafe at 6 a.m., whatever. I’d also ask those connected with the residency to recommend elders or anyone else they think might have a great story to tell.

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Residency 3: Sept 10-16 – Cimarron Corpé, Victoria, B.C.
Meet & Greet: Sept 12
Workshop: Sept 14

Cimarron Corpé is a human geographer whose interests focus on landscapes and the role sound and images play in our orientation and construction of place. He has lectured and presented creative works internationally, on topics such as physical and human geography, environmental science, and sustainability. Cimarron is currently Director of Policy Development with the Province of British Columbia, where he leads projects including technical building requirements, energy efficiency, accessibility, and climate leadership.

On his art:

I am a multimedia artist working with images (photography and video) and sound (field recording, acoustic instruments, and electronic synthesis). My works range from exhibits and installations to live performance. I also dabble in expressionist painting and collage.

Why did you decide to apply to be a Citizen-Artist?

I was attracted to the unique physical geography of the Driftless Region and felt that the topography, caves, sinkholes, springs, and subterranean rivers offered numerous opportunities to engage with the landscape and draw creative inspiration.

I also found the broad criteria for applying for the residency to be very refreshing and inviting. There are very few other residencies that encourage chefs, podcasters, community organizers, and artists to apply. This is a very innovative and forward thinking approach.

What’s on the agenda for the week?

I intend to explore the bluffs and network of caves, ride a bicycle along the Root River Bike Trail, and visit the many small towns. Along the way I will be preparing a comprehensive audio and visual record of my observations and experiences. This collection of images and sound will form the foundation for the work I will produce during my stay, which I will first present at a citizen-artist meet and greet sponsored by the Houston Arts Resource Council.

Later in the week I will host a community workshop on field recording. We’ll start with an introduction to the history, philosophy, techniques, and practice of field recording, then move outdoors to capture sounds in the field, finally reconvening to listen to our recordings and share our experiences.

crystalcreekcitizenartist.com

Sum of Your Business: Brittany Todd

Intro by Aryn Henning Nichols • Photos by Photography by Brittany

It’s lucky that Decorah photographer Brittany Todd “never gets sick of wedding cake.” Because in the nearly seven years she’s been running Photography by Brittany, she’s surely eaten a lot of it.

Of course, weddings aren’t the only moments Brittany’s team captures – there’s also engagements, families, graduating seniors, and a shoot option called… “All Up in Your Business,” where – you guessed it – Brittany photographs your business.

Business is something Brittany has learned a lot about over the years. What started out as a hobby post-graduation has turned into a real-life career, and now encompasses a team of seven photographers, two cinematographers, and one marketing/social media expert.

Plus, the 29-year-old mother of two busy boys offers photography classes to the public, is involved in the community, and manages to, somehow, cook actual vegetables for dinner (much to her boys chagrin). On top of all that, Brittany recently moved from a home office to a studio space in Downtown Decorah. (Update: AND now husband Nathan and Brittany have added the Decorah Sugar Bowl ice cream shop to their list of businesses!)

Surely more than once, this busy woman has been requested to, “Teach us your ways of life!”

“I try to do it all and not pull my hair out, but really I am better at styling the mess on my head to cover up the craziness behind the scenes,” she writes on brittanytodd.com. “The main focus of my career is to capture YOU. Whether you are short, tall, blonde, brunette, married, single or anything in between: be that. My goal is to have you trust that being YOU is what makes you beautiful.”

The result is lovely, saturated images that speak honestly of life, love, and…well, the pursuit of happiness. We were excited to feature Brittany as our Sum of Your Business for this inspiring women issue because she is just that: Inspiring! Read on to learn more about how she manages to have her cake…and eat it too (what, too much?!).

The Basics:
Name: Brittany Todd
Age: 29
Business: Photography by Brittany
Years in Business: June 26 this year will start year seven of weddings!

1. Tell us about the “leap” moment. When/how did you decide to jump in and become your own boss?

After graduating from Luther College in January 2010, I was certain that my calling was in Residence Life. I went through a two-month marathon process of interviews with 15 different schools and became a finalist at two different colleges. We were certain we were moving to either Dubuque or Green Bay. In April, however, everything changed.  I was informed by both schools, within one hour of each other, that I was their runner up and therefore did not have a job. At all. Anywhere. As a couple, we decided to stay in Decorah for another year since we were getting married that July and at least had some connections to odd jobs while we waited for a full-time opportunity. During that waiting process my photo-shoots became more frequent and more substantial. I wasn’t just photographing my friends’ kids anymore; clients were actually hiring me to shoot their wedding day, and I was loving every second of it! In August 2011, our first son, Carter, was born, and we decided it would be much easier to raise a baby with a photography career than in a college dorm. I slowly stepped away from a career in Residence Life, to a newfound dream career in photography. Fast-forward to 2013, and shooting was officially something that paid the bills, supported my family, and gave me great joy on a daily basis. It was then that I became my own boss and officially launched Photography by Brittany… in an office next to our living room.

2. What’s the best thing about being your own boss?

There are countless perks! I get to travel throughout the United States doing what I love! I get to choose my own hours. Yes, sometimes this means I am the last one to leave downtown at 1 am, but it also means I can take a day off to celebrate my kids’ birthdays, go on a last-minute trip with my husband, or spend an entire day focusing on filling my own cup, whether that means a lunch date with a friend, yoga sculpt at Reefuel, shopping downtown Decorah, or binge watching online classes or even Netflix. I can dress up on days I am with clients and wear sweatpants and slippers on days in the studio. A major perk is that through this seven-year journey, my kids have been a part of almost every single work day in the office, whether that office was in our living room or downtown in the new studio. They have their moments, of course, but sometimes the brutal honesty of a three or five-year-old is exactly what I need when it comes to choosing a location, setting up a shoot or just choosing treats from Beyond the Bar or Java John’s Coffee House for a client meeting. I know not every profession allows the flexibility that mine does, but just think how much more productive everyone could be if they could work during their personal prime time hours (I am a night owl) and be with their family as much as possible?

3. How about the worst?

Some days this list seems longer than the previous one, but I promise the good always outweighs the bad! I am the HR department, secretary, coordinator, president, CEO, and maintenance crew all rolled into one person. There is no guaranteed salary. There are no work benefits. Nobody gives me health, dental, or life insurance. There are no paid vacation days, paid sick days or even a single moment of paid maternity leave. When I first started, I took on any shoot that would come my way, including a family shoot the day before I went into labor with Carter as well as a wedding 13 days after he was born. (That is a story for another time, but, in short, Carter did great. Pumping in the doorway of a boat bathroom? Not one of my favorite life moments. 😉 )

There is not anyone to celebrate successes with in person. Cake in the break room is just not as exciting when it is your own birthday and you are eating it alone. Do not get me wrong, I love my days alone when I can crank the music and sing aloud while I edit, but there are many days when I wish there was someone here to celebrate with during the successes, and someone here to always get input from.

4. Was there ever a hurdle where you just thought, “I can’t do this?” How did you overcome it?

Not a specific hurdle, but there are definitely days and sometimes weeks that I stare at my work and think that I will never be as good others already are. If you think Pinterest is hard from a parent or teacher perspective, try looking at it through the eyes of a photographer (or a photographer mother!). Pinterest is amazing, and Pinterest is awful. I often remind myself that if I didn’t think there was someone better than me, I wouldn’t have anything to strive towards. The moments I doubt myself are the moments that make me a better photographer, business owner, and family member.

5. Any mentors/role models you look to/have looked to?

I highly recommend everyone start following Jeremy Cowart on Facebook, Instagram, or any other way possible. If you haven’t heard of “The Purpose Hotel” look it up! Jeremy is taking his talents of photography and expanding them into a vision that will help MANY people for decades, if not centuries, to come. His ability to run a business, expand the business and yet keep his wife and family as his number ONE priority is not only inspiring, but something we should all strive toward daily.

6. What’s the one thing you wish you had known before you started?

Dear High School and College Self:

Your grades matter in order to keep your scholarships, but then they will be irrelevant. Stop writing down every single word that goes on the board and take a moment to truly LISTEN to those teaching. Social networking is everything. Relationships are going to build a business faster than money can buy one. Equipment is important, but without a solid work ethic, support from those closest to you, and an incredible client base, you will not be successful. That family and friend-base you have now? They’re going to support you every step of the way. Keep being kind to those around you, because those professors, classmates, mentors, friends, and acquaintances are all going to be clients of yours someday. Each will leave a photo session with a part of your heart, and give you a little more sense of self-worth.

7. How do you manage your life/work balance? You worked out of your house originally, and have recently moved to a space in downtown Decorah – what are the pros and cons to the move?

Working from home was fantastic. If you ever get the opportunity to do so I highly recommend it, even if it is just for a few weeks. While having a home office I would do laundry, make lunches, start dinner, vacuum, grocery shop, and play with my kids in between checking emails, editing, making phone calls, and creating online albums for client review. When the workday was over, so were all of our daily life tasks. Having a space downtown has been quite an adjustment to that, but I love it in a completely different way. I get to see more people (especially more adults) on a daily basis. I can still take my kids to the library as I used to, but when we return to the studio downtown I immediately have a sense to work, instead of picking up around the house. Although it is tempting to respond to an email as soon as I see that it has been sent, it is much easier to leave work at work, and be home when I am at home (check out Peter Awad’s “Slow Hustle” podcast for more on that concept!).

8. What keeps you inspired? Any quotes that keep you going?

It is a hard concept to perfect at first, but I have gotten better about telling myself that I cannot serve others if my own cup is empty. Giving myself an opportunity to remember that I will be successful today, in this moment, could be as simple as a 15 minute break with Pinterest or an hour long Skype chat with a friend to collaborate on fresh ideas. Occasionally, I feel like these activities put me further behind in my to do list, so I remind myself that if I do not take time to enjoy life, my family, and my friends, there is no purpose to my career. Yes, we need money to pay bills, but if we are not enjoying life as it happens, we are guaranteeing ourselves missed memories. I would be a hypocrite if I encouraged others to prioritize their memories, if I, myself, was not creating any. Because of this, my job inspires me during every shoot. Every client has chosen me over any other photographer to capture one of their most important moments in life. These occasions may be as extravagant as a wedding day or as simple as an annual family session, but to my clients, and to me, it is so much more than just a shoot. You never know when a session is going to be your last as a family, exactly are you as you are right now, so embrace the NOW! There is no greater inspiration than to know that this gift I have been given (and am constantly trying to perfect) is something that positively impacts those around me, with the simple click of a button.

Anna Bolz / Pastry Chef

 

Inspiring Women Series: Anna Bolz / Pastry Chef
By Sara Friedl-Putnam • Originally published in the Spring 2017 Inspire(d) Magazine

Even though Decorah native Anna Bolz lives in New York City, a metropolis brimming with 8.5 million people, her heart is deeply rooted in community. And each table of diners at Per Se, where Anna holds the title of pastry chef, offers up a different story of community and an opportunity for connection. Anna’s part in the evening’s story comes last – sometimes the literal icing on the cake – through the mouth-watering desserts she and her team of eight concoct at the Michelin three-star restaurant.

Anna takes that role seriously: It’s so much more than an evening afterthought.

“Because all the items are served at the same time, I strive to achieve an ideal balance of flavors, textures, temperatures, and colors,” says Bolz. “I want to ensure that the whole experience offers diners as much sense variety as possible.”

Recent pairings have featured a “bright, cold, and refreshing” hibiscus and pear dessert, pistachio ice cream that’s “rich, luxurious, and garnished with rose,” and a “sweeter, softer, more modern” chocolate dessert.

Anna credits her environment – “the city that never sleeps” – with providing all the inspiration she needs. “I will take a walk and smell the flowers, visit a gallery and see how a work of art is put together, or go out to eat and check out what other people are ordering,” she says. “I live in a very inspiring world, and it’s all about opening my eyes and being receptive to it.”

It wasn’t all that long ago that this small-town girl was learning the restaurant basics at a Water Street eatery in Decorah.

In December 2005, Anna – then a senior music major at Luther College – had her sights set on graduate school in trumpet performance when a part-time job at Hart’s Tea and Tarts morphed into something much bigger. After the restaurant’s chef abruptly quit right before the holiday season, she pitched in to help out.

The experience changed her life forever.

“I realized that while the music room was fun, it also lost its sparkle for me after six or seven hours,” says Anna, the daughter of Lloyd Bolz and Mary Steele, both of Decorah. “The kitchen, in contrast, felt like play – even though I was putting in 14- to 16-hour days, it never felt like work, and I started wondering how far I could push that.”

Quite far, it turns out.

Since 2009, Anna has focused her natural creativity and boundless curiosity on her work at Per Se, the NYC counterpart to Chef Thomas Keller’s fabled California-based French Laundry. Originally hired as chef de partie (section cook), Anna honed her craft under renowned pastry chef Elwyn Boyles, advancing to pastry sous chef in 2011 and then, in 2015, to pastry chef.

Anna has worked hard to earn the respect of her colleagues – she is one of only two women on the restaurant’s executive team, and oversees her own team that’s responsible for Per Se’s palate-pleasing array of desserts. And it’s a good bet she won’t stop there.

“I’m constantly looking at how I can do my job better, help others be better at their jobs, and make an impact on people around me that’s not just about creating beautiful food,” says Anna, who typically arrives at work in the Time Warner Center before noon and rarely leaves before 1:30 in the morning. “My goal is to guide the next generation, collaborate fully with my colleagues, and be a contributing force at this destination restaurant.”

Anna attributes her tireless work ethic to her parents, especially her father, Lloyd, a construction firm owner under whose watchful eye she learned how to swing a hammer and wield a saw.

“My parents taught me very early in life to work for what I wanted,” she says. “I started out doing minor cleaning projects for my dad and eventually graduated to construction.”

Those skills came in handy when, after earning her bachelor’s degree from Luther in May 2006, she decided to spend the next nine months doing construction full-time to save up for the move to New York. The goal: Attend the French Culinary Institute (now the International Culinary Center).

“I had never been to New York,” she says, “but I knew it had a lot of restaurants and a lot of opportunity and thought it would be the best place for me to learn the trade.”

Those instincts proved correct, and, after settling in New York in February 2007, Anna took full advantage of the city’s culinary landscape, spending her days attending classes, her nights “externing” at Jean-Georges (another acclaimed Michelin three-star restaurant), and her weekends plating and finishing desserts at the Porter House steakhouse.

“I was putting in 75 to 80 hours a week among the three,” she recalls. “My friends and family thought I was crazy, but it was what I wanted to do.”

That unbridled passion and undeniable talent didn’t go unnoticed. Johnny Iuzzini, Jean-George’s executive pastry chef, offered her a full-time job at Jean-Georges. (If Iuzzini’s name sounds familiar, there’s a reason – he served two seasons as head judge on the Bravo TV show Top Chef: Just Desserts.) Though Anna had intended to move closer to home after wrapping up her studies, she quickly changed course.

Two years later, when Anna felt it was time to move on, her well-connected boss was right there to help, setting up trials (a working audition of sorts) in the kitchens of two of the city’s top restaurants: Daniel and Per Se.

“Working at Jean-Georges opened up a lot of other options for me,” she says. “Johnny helped me realize what was possible for me in the industry and set me on the right path.”

That path, of course, led to Per Se, where Bolz particularly enjoys the “systematic, detailed, imaginative work” involved in creating the finale of the nine-course, prix-fixe, French-influenced tasting menu ($325+ per person). The menu’s “assortment of desserts” comprises fruit, ice cream, and chocolate treats as well as candies. (Dessert lovers, rejoice! The restaurant also has a five-course dessert tasting menu – $70+ per person – at Salon, its walk-ins-only dining room.)

In February 2017, Anna was one of two pastry chefs recognized by the restaurant-industry magazine StarChefs with its Rising Star Award. And while the accolades are nice, this Driftless native says the best part about her work is that it doesn’t feel like work at all.

“My day is never the same because I respond to what’s happening in the restaurant and the needs of the people around me,” she says. “I love being constantly challenged to be creative, and I honestly cannot imagine doing anything else.”

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Sara Friedl-Putnam loves all kinds of desserts–especially any involving chocolate!–and hopes to one day indulge in a full plate of Anna Bolz’s culinary creations.