Posts Categorized: Today

Interview with Artist Ashley Dull

By Aryn Henning Nichols

Ashley Dull Lindeman’s enthusiasm is infectious. She bustles through the door of a downtown Decorah coffee shop with arms full of paintings, at least one still mildly wet. We hug – I’ve known Ashley since she was seven and her sister and I were best friends in the fourth grade – and we both speak at once.

“I haven’t seen you since that time we talked about changing the world,” I say.

She laughs, “I’m still trying to change the world…somehow.”

This earnest mission is at the root of what inspires Ashley in her art. She’s not jaded. And, no, there isn’t supposed to be a “yet” on the end of that sentence. Maybe she’s naïve. But who cares? She’s definitely not cocky, especially for a 26-year-old who is actually making a living at art in the Twin Cities, a place loaded with talented artists and creative folk. No, Ashley is willing to admit she’s got a lot to learn

“I’m still trying to figure out this world – I don’t know enough about anything, really,” she says humbly.

She does know a thing or two around a canvas. If it weren’t for the amazing texture created by the carefully molded piles of still-wet paint, her nature-inspired pieces could be photos. Really dimensional photos, almost like you could walk right in.

“I want people to say, ‘I wanna touch that. I wanna be there,’” she says. “I will be out walking in the woods, touching everything, enjoying the peace that nature brings – I want to put that in my paintings. I want to make people feel good.”

Ashley’s upbringing on a small farm in between Postville and Decorah was full of the big skies, beautiful trees, and picturesque landscapes of the Driftless Region. A walk in the woods could inspire as many as three-dozen future paintings. Perhaps this is where the passion she’s had for art “since forever” began.

Nurtured by teachers with good foresight – Postville High School’s Rose Schutte and Luther College’s Doug Eckheart being two major mentors – Ashley took the encouragement they gave her, “You really have something here,” and ran with it. She graduated from Luther College in 2005 with a double major in health and art. And like many recent graduates, she wasn’t sure what was next.

“I thought, ‘What am I doing? Where am I going?’” she says. “But I did feel that it was possible to really do it, to be an artist.”

It certainly wasn’t a straight shot to galleries and commissions from there though. She moved to the Twin Cities to work as a personal trainer, painting in her free time. In 2007 she finally applied for her first art fair in Edina. And got in. During that show Ashley met her now “art agent” Jack McCauley. McCauley helped her put together her first gallery show in Roseville and it was a huge success. This was the affirmation Ashley needed to paint more, train less. McCauley continues to represent her work today.

Her pieces have since been shown in seven galleries – along with four shows in the next two months alone – and she landed a lengthy internship with nationally known Twin Cities artist Pamela Sukhum. Now, just two short years since Ashley’s first show, she’s armed with a wealth of new skills and information for her life both as an artist and as a self-employed business owner.

“It is still a business, and I need to make money,” Ashley says. “If art takes me there, then okay.”

She has learned it’s a lot of paperwork. And marketing. And networking. And while it’s fun to envision a future of grandeur, she’s not expecting it – perhaps doesn’t even want it.

“You know, I think it crossed my mind what I was younger, ‘Maybe I want to be this famous artist,’ but now – I could care less about fame. I want to bring peace and beauty to people’s lives,” she says, earnest once again.

She also wants to bring hope to people’s lives, and attempts this through a “giving back promise.” Ashley donates a small percentage of sales at her shows to an organization she’d like to support. The exhibits in the Twin Cities have been tied with non-profit organizations mainly dedicated to helping at-risk youth. For her Decorah show, running from October 1 through 31at The Perfect Edge on Washington Street, Ashley has, we’re humbled to say, chosen Inspire(d) Media as the organization she’d like to support.

“I believe in what you’re doing and want to help if I can,” Ashley writes in an email after informing us of her choice. She’s also really excited to have her paintings in the town of her alma mater.

“I always hoped – and sort of knew – I’d do a Decorah show,” she says. “So many of my paintings are Decorah landscapes.”

In addition to the giving back promise, Ashley has a few other traditions tied to her work: She always picks a theme – the current show is entitled “From Darkness to Light,” inspired by the prayer of St. Francis ­– and she always hides a bible verse somewhere in each painting. Don’t get worked up – she isn’t really a beater of said bible – she just relates many of the verses to her experiences in nature: feelings of calm, peace, love, joy, beauty, change, and new life. It’s by translating these experiences to her paintings that she plans to change the world.

“If I can help someone feel a connection to the world around us and a sense of purpose in this life,” she writes, “then I know I have done right by my talent.”

Aryn Henning Nichols truly believes you can change the world with passion (the good kind) and positive actions. When she was 21, she said this to someone and they told her she’d just wasn’t jaded yet. It’s been a happy seven years in the so-called land of bunnies and unicorns. She’s not planning on leaving any time soon.

For more information and to check out some of Ashley’s art, visit artbyashleydull.com

 

From Steam to Gasoline: The Tractor!


By Benji Nichols | Image above courtesy Randy Leffingwell, LA Times

There are few inventions in history that have literally changed the landscape like the modern tractor. Steam locomotives were being primitively built as early as the late 1700s in Europe and then America, but it wasn’t until the mid 1800s that steam technology was applied to “Locomobiles” or traction engines (tractor for short!). These early replacements for draft horses were incredible inventions, but also proved to be slow, heavy, and cumbersome. This is where the story of the tractor takes an interesting turn on a little road in Northeast Iowa.

John Froelich was born November 24, 1849 in Giard, Iowa. The first of nine children born to German settlers Johannes Heinrich (Henry) Froelich and Kathryn Gutheil, his life work went far beyond the typical farm – he operated a grain elevator near Froelich, Iowa and ran a threshing operation in Langford, South Dakota. As the story goes, John Froelich was fascinated by steam-driven machinery and farm implements. And not only that: he also worked on them and understood their weaknesses. In 1890 Froelich purchased a gasoline internal combustion engine from the Van Duzen Engine Works in Cincinnati, Ohio, to run his grain elevator. While working with the engine at his elevator he began to tinker with the idea of using the gasoline engine to power a traction engine.

In 1892 Froelich mounted a single-cylinder Van Duzen engine on a Robinson chassis with a traction system of his own design and thus created the very first internal combustion-powered tractor that moved forward and backward, and could also power a threshing machine. Froelich’s sidekick and assistant, William Mann, helped him transport the machine by rail to their South Dakota operation and proceeded to use it to power their J.I. Case threshing machine through 72,000 bushels of grain in 52 days.

On the heels of this accomplishment, a group of investors backed Froelich and formed the Waterloo Gasoline Traction Engine Company in 1893. But unfortunately they only built four of Froelich’s tractors – two of which were returned by unsatisfied customers. In 1895 the company became the Waterloo Gasoline Engine Company and went to work building small stationary gas engines for such uses as pumping water and powering grain elevators. Froelich soon left the company and the Waterloo Company changed hands more than once in the early 1900s, but eventually began to produce the “Waterloo Boy” gas engine farm tractors, a design much like the one John Froelich brought to the company more than a decade before. By 1918, Waterloo Boy had produced three models of the tractor including the LA, R, and N models with over 8,000 tractors sold.

In 1918, The John Deere Company in Moline made a bid of $2.2 million dollars to acquire the Waterloo Boy Tractor Company, thus taking on the most successful modern tractor company of its time, and all of this built off of John Froelich’s original design for the gasoline internal combustion traction engine. John Froelich went on from his early tractor-building endeavor to create engines at the Novelty Iron Work in Dubuque, and then worked with his brother Gottlieb in manufacturing before moving to St. Paul. He was a life-long inventor, credited with such things as a washing machine, dish washer and dryer, a mechanical corn picker, and the first air conditioner that later became the Carrier Air Conditioning Company. In the late 1920 Froelich caught some more bad luck working in the investment world. The great crash of 1929 wiped out much of his livelihood and savings and he spent the final years of his life with his daughter, Jenetie, in St. Paul where he passed away in 1933. He was never recognized for his inventions until decades later. Froelich was inducted into the Iowa Inventors Hall of Fame in 1991. To this day, his name sits on the sidelines in the history of the common farm tractor, but it was indeed his invention and tinkering with the old Van Duzen single cylinder engine that led to one of the world’s most important agricultural implements.

PHOTO COURTESY FROELICH FOUNDATION

Today the village of Froelich, Iowa sits perfectly captured and re-built as a still-shot from a century ago. A model of John Froelich’s tractor rests outside the refurbished general store. Once a year the village comes alive with action from all over the tri-state area for the annual “Fall-der-All.”

“Fall-der-All” is the annual celebration of the Froelich Tractor and attractions, including the Burlingame General Store Museum, Tractor Museum, one-room country school, blacksmith shop and more. It’s an opportunity for those that love vintage farm equipment to bring their collection in and show it off,” says Froelich foundation President Denny Eilers.

This year, the festival and fundraiser will take place September 26-26, with a variety of displays and activities suitable for the whole family.

The Froelich Foundation board-of-directors is an all-volunteer group that manages the museum, grounds, and historic preservation of Froelich.

“The town of Froelich is significant in agricultural history as it’s the birthplace of the modern farm tractor,” Eilers says. “The Froelich Tractor is the direct ancestor to today’s John Deere tractor division in Waterloo, Iowa, and around the world. There is a huge amount of history coming out of this small village, as historians credit the modern farm tractor as the key tool that helps American farmers create an abundant food supply for our country, plus produce enough to export to other countries. It’s a history we treasure, and the Froelich Foundation was started 21 years ago as a non-profit group of volunteers to preserve this history and pass it down to the next generation.”

You can find out more about the story of John Froelich, the village named after his family, and the annual Fall-der-All by visiting the Village of Froelich located on Highway 18 between Monona and McGregor, Iowa – open through September from 11 am to 5 pm daily except for Wednesdays, and weekends in October. More information and history at www.froelichtractor.com or by calling (563) 536-2841.

Benji Nichols has been fascinated with old tractors and single-piston-engines for as long as he can remember his Grandpa tinkering with them. He looks forward to the Froelich Fall-der-All and Hesper/Mabel Steam Engine days every fall and someday hopes to learn how to engineer steam tractors.

Butter-to-Art: An Interview with Butter Sculptress Sarah Pratt

By Benji Nichols 

With roots dating as far back as the 1400s, butter has been used in various ways to create art – Monks even made deities out of yak butter! Here in Iowa we’ve been making butter art since the early 1900s with the Iowa State Fair “Butter Cow.” The list of the artists who have worked in this medium at the State Fair is surprisingly short, but Inspire(d) was lucky enough to catch up with the latest heir to the title “Butter Sculptor.”

It is worth noting that the construction of a butter figure is even more complex than you would already suspect. More than 600 pounds of low-moisture, pure-cream Iowa butter are used to cover a frame constructed of wood, metal, wire, and steel mesh. Inside a 40-degree cooler, Sarah Pratt applies layer upon layer of butter until an almost full size figure comes to life. It’s also worth noting that the butter is not wasted – in fact, it is often used to create sculptures for up to ten years – so no sneaking a taste! The Midwest Dairy Association has sponsored the attraction since 1960, and we are delighted to have had the chance to ask Pratt a few questions.


Name: Sarah Pratt

Age: 32 (in 2009)

Profession: Teacher at Phoenix Elementary Early Childhood Center in West Des Moines

I: Where did you grow up?

SP: Toledo, Iowa

I: How did you get involved with Norma ‘Duffy’ Lyon (Butter Sculptor for decades prior) helping to create the butter sculptures? 

SP:I grew up knowing Duffy and went to school with her grandkids. But it was actually a trip to the State Fair to help a friend of mine, Kari Lyon, who also happens to be the great-niece of Norma. She was showing dairy cattle and I went along to experience life in the Dairy Barn. While Kari was in the show ring I was put to work in the butter cooler, cleaning buckets and softening butter. The next year Norma called me and invited me to help again. I continued to help and Duffy trained me over the next 15 or so years.

I: What’s your favorite butter sculpture or cow that you have created? 

SP: I enjoyed sculpting Harry Potter. There were so many fun things to incorporate from the stories. But the sculpture that I was and am the most passionate about is the piece I sculpted last year honoring Norman Borlaug. So many are unaware of his accomplishments and the difference he has made in the world! It was a privilege to share Mr. Borlaug’s story with Fairgoers.

I: What else will you be carving besides the cow for the 2009 Fair? 

SP: I will be sculpting a scene from the Apollo 11 mission.  “One small step for man, a giant leap for mankind.”

I: How long does it take you to create the sculptures? 

SP: I work for about three weeks before the Fair begins.

I: Any comments about working with butter as a medium? Tricks of the trade?

SP: At the right temperature butter is very much like clay. The trick is to get the butter to that point and keep it there.

I: Anyone you’d like to acknowledge or thank?

SP: I want to thank Norma for all of her support! Without her confidence in my ability I would have never believed I could do it. And of course I need to thank my husband, Andy. He is a great sounding board for ideas and has spent many hours helping me plan and build the armatures.

The Iowa State Fair runs every summer in mid-August in Des Moines. And you can get in on the butter sculpting action! Submit your name for a chance to test your skills in the Butter Sculpting Competition at the fair. See you at the Fair!