Benji

(What’s got 8 wheels, 25 strings, 5 heads and is 140 years old? Well, The Alaska String Band of course…)

By Benji Nichols

When faced with the choice to either buckle down with a “day job,” or leave your career to tour across the country playing music and traveling in a 40-foot bus with your three children, it’s safe to say that a lot of parents might chose the day job. But life is short, fragile really, and children don’t stay kids for long, which are all reasons that Paul and Melissa Zahasky and family made a collective decision from their home in Juneau, Alaska to quit their jobs and buy a 40-foot MCI tour bus site unseen. Their extraordinary musical talents would not only entertain crowds from Juneau’s Gold Creek Salmon Bake to the southern-most tip of Texas, but would also pay the bills. And heck, who knows, maybe along the way they’d have the time of their lives. The bus, and Zahasky’s parents (Don & Helen) live here in Decorah, and lucky for us, the Alaska String Band uses this as a home base while traveling to and from the lower 48 states.

Inspire(d)’s Benji Nichols recently caught up with the “Z-Family” to ask a few questions about how this whole family string band thing got started – and the next thing you know there was a show scheduled in Decorah with the AK String Band. Don’t miss your chance to meet Paul and Melissa Zahasky and their three incredibly talented kids – Laura (18), Quinn (16), and Abigail (12) – as Inspire(d) and The AK String Band host a benefit concert for Decorah’s Free Clinic Thursday, February 18, at 7 pm at First Lutheran Church. Admission will be a cash donation to the Free Clinic, but no will be turned away for lack of funds.

Inspire(d): How did the Alaska String Band come to be?

Z: We (Paul and Melissa) were introduced by a common musician friend many years ago. Our first performances together as a duo were in churches in Juneau and on board cruise ships. Music has always been a passion and a natural part of our lives so the children were exposed to it from infancy.

It is a common occurrence that children will imitate the behavior of their parents and that seems to be what has naturally occurred. Of course, we offered to teach the kids how to play various instruments from when they were very young, but never insisted that they do so. We did say that if they wanted to participate in performances that they would have to take lessons and practice but that decision was left with each child. As they have matured and shown the dedication to learning and loving music, we have actively searched for venues that could accommodate our growing family band.

Making the decision to transition the Alaska String Band from a local music group to a full-time performing ensemble was slow and somewhat agonizing. We both reached a point of overload where we realized that Paul could no longer work full time as an Alaska State Parks employee and run his own excavating business, while Melissa oversaw the home and education of our children. At the same time the Band continued to increase its schedule to the point that nothing was being done well. We spent months discussing our visions and goals, talking with friends whom we felt could offer sound council, and praying for direction.

We asked ourselves tough questions such as: When I am really, really, old (a lot older than I am now) will I have any regrets of not following my dream? If we give up the security that a full time position with the State of Alaska including benefits provides, in exchange for only a year or possibly two to pursue this musical dream with our children, will it have been worth it? We always consulted the children on their desires as well. A good Juneau friend offered us this helpful gem; “God is not in the habit of showing you the net until after you jump…” We are a year and a half past the point of no return, and we have no regrets.

Inspire(d): What Inspire(d) you all to start playing music as a family, and perhaps more importantly continues to inspire you to keep playing together?

Z: In the process of becoming a family string band we have discovered that it not only feeds our musical passions but also knits us closely together. We share a common dream, which includes success and failure, fear and courage, totally cush gigs and crummy hardships, frustrations, disappointments and delights, humor, humility and pride, and of course faith, hope and love.

Wherever we perform there are comments that continue to spur us on: “Thank you for being willing to share your faith publicly. Don’t ever stop doing what you’re doing!! What do you really do for work?!? Do your kids ever fight? You guys are shredders!! Do you sleep in the refrigerator to keep warm?”
Melissa was originally inspired with the family string band idea by seeing the McLain Family Band perform (www.mclains.com) when she was a child in Juneau.

Other inspirations have been “The Sound of Music” – which leaves one wanting… Wanting to know the rest of the story, which our family discovered when we read aloud “The Story of the Trapp Family Singers” by Maria Augusta Trapp. In addition The Von Trapp Children – today’s great, great grandchildren of Captain George and Maria Augusta Von Trapp – have been fun for us to read about and see in concert. Another read-aloud that our family enjoyed was “Don’t Think It Hasn’t Been Fun: The Story of the Burke Family Singers” by Sarah Jo Burke.
Finally, music is eternal. There will always be one more song to sing, one more genre of music to aspire to. We will never arrive, but are continually led on to greater depths of feeling and communication through the exploration of music. Ultimately it is our Creator who inspires and enables us to continue to sing and make music.

Inspire(d): Tell us about home schooling your kids. What has that been like in addition to keeping up performances and a national touring schedule?

Z: Laura, Quinn and Abigail have been educated at home from infancy. Alaska hosts a large population of home-schooled students and the state has been very accommodating to this form of education as the remoteness of many homes inhibits public school access. Our children are currently enrolled in a state funded correspondence school that provides certified teachers, guidance counselors, yearly state mandated testing, educational resources, and an accredited high school graduation ceremony. We choose the curriculum that best suits each child’s course of study and teach it ourselves. Laura is our first high school graduate having received her diploma in May of 2009.

The transition of schooling at home to schooling on the road is seamless. It’s just as hard on the road as off! Staying disciplined and focused at home has proven to be as difficult as studying in the midst of travel. There will always be a million distractions no matter what our circumstances are. When the Alaska String Band is faced with a split decision the kids get three votes, Mom and Dad get 10.

A few techniques we have found that seem to foster better study habits are: Feed the kids, Academics first. Study in the morning and practice music no later than 6:00 p.m. if possible. Separate the kids – this can be a challenge in a 40-foot bus, but if left together in too close of proximity without fairly close supervision they act just like every other school kid in America. While traveling use a tippy cup – or your essay on “Bus Dwellers Across America” will be coated in Gatorade. Avoid study or practice/rehearsal outside the bus – due to the public arena that we are immersed in while touring we have found it is just about impossible to work without interruption if we are outside the confines of the bus. People love t

o visit with us and are naturally curious about what we are doing. They also love to talk about Alaska if they have been there themselves or ask us what it is like. We love to do this but find it has to be separated from school and work responsibilities.

This touring experience touches on all aspects of education and richens their awareness in ways that a textbook cannot. Often the children will study on weekends, at odd hours and through holidays knowing that there will be interruptions in the coming days on the road.

Inspire(d): Tell us how you came to be the proud owners of a tour bus and any favorite bus stories from the gang.

Z: When we began dreaming up our first national tour we all agreed that a bus would best accommodate our needs and desires. Old of course was a prerequisite due to our “vast” financial resources and all the derelict busses around Juneau were spoken for, so we surfed the Internet. Eventually Paul came across a 1978 MCI 8 which appeared to fit our criteria. It was located in Missouri and had been converted by a contractor who had used it for his own family’s RV. Paul carried on correspondence via email for quite a while and in the end it was a huge step of trust in an unknown, but thankfully genuine and honest cyber seller.

We packed up an excessive amount of tour gear which included all things relating to music performance, school and recreation and which we were sure all music stars would find necessary, hopped on an Alaska Airlines jet and flew to Chicago where we rented a car and drove the rest of the way to our bus’s home in Eureka, Missouri, then hit the road. As we are currently into our fourth cross-country tour, our bus is maintaining consistent performance. Gas mileage: five miles per gallon, down hill with a tail wind traveling south. On an average we end up in the maintenance shop once per tour.

Late one evening while driving down the Crooked Road – Heritage Music trail in Virginia, Quinn recalls one hysterically funny escapade. It was a dusty drive and the windshield had coated over with a pretty heavy layer of cruddy mud. Paul saw a toll booth rapidly approaching and yelled, “Somebody fill the largest bowl you can find with water and as soon as I stop at the toll booth I want one of you kids to jump out and rinse off the windshield for me so that I can see properly!” Quinn was the quickest responder and as we rolled to a stop he jumped down and crossed in front of the bus. He gave a good heave to the bowl of water. The water flew up in an arc then swooshed down with a huge splash through the open tollbooth window, drenching the attendant and filling the change drawer and his lap with water. Quinn shot back into the bus and dove to the darkened recess of the furthest back room. He didn’t surface for quite some time. Melissa and the girls were howling with laughter and Paul was left trying to explain to a shocked tollbooth operator the purpose of his 14-year-old son’s agua ambush.

Inspire(d): What would the “ultimate show” be?

Z: Garrison Keilor’s “A Prairie Home Companion,” a round-the-world music tour, Carnegie Hall, or Sarah Palin’s presidential inauguration.

Inspire(d): Can you tell us about the musical advantages of being a family band?

Z: Quinn would most definitely say the food. We would say living and raising a family in Alaska is an amazing opportunity. Our remote location in Juneau, which can only be accessed by air or water, poses some serious restrictions on travel. We have found that the travel afforded by the entertainment industry has been an incredible boon. Young pickers also learn faster and are more nimble than their elders and they breathe new life into old songs.

Singing in harmony is an ongoing challenge. It’s a spine tingling moment when the pitches meld together so perfectly that the harmonics buzz in your ear. Because we are family our voices naturally sound similar and identical phrasing and breathing becomes intuitive. We do not personally detect a difference in our blend compared to other musical groups that are not tied by blood, however many who have heard us sing do say we possess a sound heard only in family ensembles.

Inspire(d): What has the biggest highlight of the past year been – musically, and non-musically?

Z: Completing a summer season of Southeast Alaskan Odyssey Shows in our homeport of Juneau on board Norwegian and Holland America Cruise lines. Doing a chapel service as well as the Southeast Alaskan Odyssey Show in the 2500 seat Belcher Center for the Arts at LeTourneau University in Longview, Texas, one day and giving an Alaskan String Band performance at Curtis Rountree’s Bluegrass Pickin’ Place in Lonestar, Texas, the following day. Sharing stages across the country with other awe inspiring musicians as well as meeting other family string bands who are following a similar dream. Enjoying untracked deep powder slopes at the Eaglecrest ski area in Juneau during a record breaking 20-foot snow fall winter followed up with a summer of record-breaking sunny days and warm temperatures in our rainforest home.

Inspire(d): What is the temperature out right now where you are, and what was the last wildlife that any of you saw before answering these questions?

Z: We are on North Padre Island, on the Gulf of Mexico in southern Texas. It is 73 degrees Fahrenheit.

Abigail: a jackrabbit
Laura: a sand crab
Quinn: a sea worm
Melissa: a pelican
Paul: an out-of-control Texas road hog

Inspire(d): What do you miss the most about home and Alaska when you are not
there?

Z: Family, friends, regular aerobic exercise, excellent mountain drinking water, our spacious home, pristine wilderness, abundant wildlife, and alpine meadows.

In response to one of Quinn’s Vocational Tech classroom assignments Quinn is currently keeping a travel blog entitled Quinn’s Extraordinary Travel Ramblings. This is an ongoing account of his adventures with the Alaska String Band and can be accessed via the Alaska String Band website www.alaskastringband.net.

Benji Nichols is completely inspire(d) by the Zahasky family and their adventures. He also has to thank his Dad, Paul Nichols, for tipping him off about the Alaska String Band. Benji is no stranger to old busses and touring – and looks forward to more escapades to come, along with the comforting hum of a diesel generator lullaby…

By Benji Nichols | Image above courtesy Randy Leffingwell, LA Times

There are few inventions in history that have literally changed the landscape like the modern tractor. Steam locomotives were being primitively built as early as the late 1700s in Europe and then America, but it wasn’t until the mid 1800s that steam technology was applied to “Locomobiles” or traction engines (tractor for short!). These early replacements for draft horses were incredible inventions, but also proved to be slow, heavy, and cumbersome. This is where the story of the tractor takes an interesting turn on a little road in Northeast Iowa.

John Froelich was born November 24, 1849 in Giard, Iowa. The first of nine children born to German settlers Johannes Heinrich (Henry) Froelich and Kathryn Gutheil, his life work went far beyond the typical farm – he operated a grain elevator near Froelich, Iowa and ran a threshing operation in Langford, South Dakota. As the story goes, John Froelich was fascinated by steam-driven machinery and farm implements. And not only that: he also worked on them and understood their weaknesses. In 1890 Froelich purchased a gasoline internal combustion engine from the Van Duzen Engine Works in Cincinnati, Ohio, to run his grain elevator. While working with the engine at his elevator he began to tinker with the idea of using the gasoline engine to power a traction engine.

In 1892 Froelich mounted a single-cylinder Van Duzen engine on a Robinson chassis with a traction system of his own design and thus created the very first internal combustion-powered tractor that moved forward and backward, and could also power a threshing machine. Froelich’s sidekick and assistant, William Mann, helped him transport the machine by rail to their South Dakota operation and proceeded to use it to power their J.I. Case threshing machine through 72,000 bushels of grain in 52 days.

On the heels of this accomplishment, a group of investors backed Froelich and formed the Waterloo Gasoline Traction Engine Company in 1893. But unfortunately they only built four of Froelich’s tractors – two of which were returned by unsatisfied customers. In 1895 the company became the Waterloo Gasoline Engine Company and went to work building small stationary gas engines for such uses as pumping water and powering grain elevators. Froelich soon left the company and the Waterloo Company changed hands more than once in the early 1900s, but eventually began to produce the “Waterloo Boy” gas engine farm tractors, a design much like the one John Froelich brought to the company more than a decade before. By 1918, Waterloo Boy had produced three models of the tractor including the LA, R, and N models with over 8,000 tractors sold.

In 1918, The John Deere Company in Moline made a bid of $2.2 million dollars to acquire the Waterloo Boy Tractor Company, thus taking on the most successful modern tractor company of its time, and all of this built off of John Froelich’s original design for the gasoline internal combustion traction engine. John Froelich went on from his early tractor-building endeavor to create engines at the Novelty Iron Work in Dubuque, and then worked with his brother Gottlieb in manufacturing before moving to St. Paul. He was a life-long inventor, credited with such things as a washing machine, dish washer and dryer, a mechanical corn picker, and the first air conditioner that later became the Carrier Air Conditioning Company. In the late 1920 Froelich caught some more bad luck working in the investment world. The great crash of 1929 wiped out much of his livelihood and savings and he spent the final years of his life with his daughter, Jenetie, in St. Paul where he passed away in 1933. He was never recognized for his inventions until decades later. Froelich was inducted into the Iowa Inventors Hall of Fame in 1991. To this day, his name sits on the sidelines in the history of the common farm tractor, but it was indeed his invention and tinkering with the old Van Duzen single cylinder engine that led to one of the world’s most important agricultural implements.

Today the village of Froelich, Iowa sits perfectly captured and re-built as a still-shot from a century ago. A model of John Froelich’s tractor rests outside the refurbished general store. Once a year the village comes alive with action from all over the tri-state area for the annual “Fall-der-All.”

“Fall-der-All” is the annual celebration of the Froelich Tractor and attractions, including the Burlingame General Store Museum, Tractor Museum, one-room country school, blacksmith shop and more. It’s an opportunity for those that love vintage farm equipment to bring their collection in and show it off,” says Froelich foundation President Denny Eilers.

This year, the festival and fundraiser will take place September 26-26, with a variety of displays and activities suitable for the whole family.

The Froelich Foundation board-of-directors is an all-volunteer group that manages the museum, grounds, and historic preservation of Froelich.

“The town of Froelich is significant in agricultural history as it’s the birthplace of the modern farm tractor,” Eilers says. “The Froelich Tractor is the direct ancestor to today’s John Deere tractor division in Waterloo, Iowa, and around the world. There is a huge amount of history coming out of this small village, as historians credit the modern farm tractor as the key tool that helps American farmers create an abundant food supply for our country, plus produce enough to export to other countries. It’s a history we treasure, and the Froelich Foundation was started 21 years ago as a non-profit group of volunteers to preserve this history and pass it down to the next generation.”

You can find out more about the story of John Froelich, the village named after his family, and the annual Fall-der-All by visiting the Village of Froelich located on Highway 18 between Monona and McGregor, Iowa – open through September from 11 am to 5 pm daily except for Wednesdays, and weekends in October. More information and history at www.froelichtractor.com or by calling (563) 536-2841.

Benji Nichols has been fascinated with old tractors and single-piston-engines for as long as he can remember his Grandpa tinkering with them. He looks forward to the Froelich Fall-der-All and Hesper/Mabel Steam Engine days every fall and someday hopes to learn how to engineer steam tractors.

By Benji Nichols 

With roots dating as far back as the 1400s, butter has been used in various ways to create art – Monks even made deities out of yak butter! Here in Iowa we’ve been making butter art since the early 1900s with the Iowa State Fair “Butter Cow.” The list of the artists who have worked in this medium at the State Fair is surprisingly short, but Inspire(d) was lucky enough to catch up with the latest heir to the title “Butter Sculptor.”

It is worth noting that the construction of a butter figure is even more complex than you would already suspect. More than 600 pounds of low-moisture, pure-cream Iowa butter are used to cover a frame constructed of wood, metal, wire, and steel mesh. Inside a 40-degree cooler, Sarah Pratt applies layer upon layer of butter until an almost full size figure comes to life. It’s also worth noting that the butter is not wasted – in fact, it is often used to create sculptures for up to ten years – so no sneaking a taste! The Midwest Dairy Association has sponsored the attraction since 1960, and we are delighted to have had the chance to ask Pratt a few questions.

Name: Sarah Pratt

Age: 32 (in 2009)

Profession: Teacher at Phoenix Elementary Early Childhood Center in West Des Moines

I: Where did you grow up?

SP: Toledo, Iowa

I: How did you get involved with Norma ‘Duffy’ Lyon (Butter Sculptor for decades prior) helping to create the butter sculptures? 

SP:I grew up knowing Duffy and went to school with her grandkids. But it was actually a trip to the State Fair to help a friend of mine, Kari Lyon, who also happens to be the great-niece of Norma. She was showing dairy cattle and I went along to experience life in the Dairy Barn. While Kari was in the show ring I was put to work in the butter cooler, cleaning buckets and softening butter. The next year Norma called me and invited me to help again. I continued to help and Duffy trained me over the next 15 or so years.

I: What’s your favorite butter sculpture or cow that you have created? 

SP: I enjoyed sculpting Harry Potter. There were so many fun things to incorporate from the stories. But the sculpture that I was and am the most passionate about is the piece I sculpted last year honoring Norman Borlaug. So many are unaware of his accomplishments and the difference he has made in the world! It was a privilege to share Mr. Borlaug’s story with Fairgoers.

I: What else will you be carving besides the cow for the 2009 Fair? 

SP: I will be sculpting a scene from the Apollo 11 mission.  “One small step for man, a giant leap for mankind.”

I: How long does it take you to create the sculptures? 

SP: I work for about three weeks before the Fair begins.

I: Any comments about working with butter as a medium? Tricks of the trade?

SP: At the right temperature butter is very much like clay. The trick is to get the butter to that point and keep it there.

I: Anyone you’d like to acknowledge or thank?

SP: I want to thank Norma for all of her support! Without her confidence in my ability I would have never believed I could do it. And of course I need to thank my husband, Andy. He is a great sounding board for ideas and has spent many hours helping me plan and build the armatures.

The Iowa State Fair runs every summer in mid-August in Des Moines. And you can get in on the butter sculpting action! Submit your name for a chance to test your skills in the Butter Sculpting Competition at the fair. See you at the Fair!